First published at 12:05 UTC on January 1st, 2020.
Please consider tipping me on Bitchute
or via dogecoin address: D8FCTJcLCbX4BAqL2psgDDZMV6wUYgn2Kn
To Purchase the Album: https://amzn.to/2Fncqgs
This single, released at the height of the Summer of Love of 1967 and the Vietnam War, was the first Supre…
MORE
Please consider tipping me on Bitchute
or via dogecoin address: D8FCTJcLCbX4BAqL2psgDDZMV6wUYgn2Kn
To Purchase the Album: https://amzn.to/2Fncqgs
This single, released at the height of the Summer of Love of 1967 and the Vietnam War, was the first Supremes' release to delve into psychedelic pop; H–D–H's production of the song, influenced by the psychedelic rock sounds of bands such as The Beatles and The Beach Boys, represented a shift in Motown's pop sound during the latter half of the 1960s.[2] The psychedelic influence is apparent in the song's arrangement. Although it is sometimes cited as one of the first mainstream pop recordings to feature a Moog synthesizer, the unusual sounds on the track were generated on a test oscillator and treated with effects. Motown, the Supremes' record label, purchased a Moog III synthesizer, but not until December 1967.[3]"Reflections" peaked during the late summer and early fall of 1967. Making the highest debut on Billboard Hot 100 on the week of August 6, the song reached number 2 on the week ending September 9, 1967. One place short of being the group's 11th American number 1 single, "Reflections" stalled at the penultimate position for two weeks behind Bobbie Gentry's "Ode to Billie Joe", which Diana Ross re-recorded as a solo for the Reflections album.[4] The single peaked at number 5 on the UK Singles Chart.[5]
The first nationally televised performance to feature Ballard's replacement Cindy Birdsong as a member of The Supremes on American television, now billed as "Diana Ross & the Supremes," was on an episode of the ABC variety program The Hollywood Palace. The episode was hosted by entertainer Sammy Davis Jr. and first broadcast on September 26, 1967.[6]
A later remastered reissue of the song, running 3:11, although containing the looped section that closes the hit 2:50 single version in the fade-out, features a cold closing as originally recorded.
LESS